Perfect Crown Ep 9 & 10 — Why Ian Must Refuse the Throne Three Times

The Confucian rule behind the throne — and why Korean viewers found episode 9 deeply uncomfortable

K-Drama & Film

Episodes 9 and 10 are frustrating. Flashbacks everywhere. But buried inside that frustration are layers that only Korean viewers are catching — why Ian must refuse the throne three times, why the Joseon palace caught fire over a thousand times, and why episode 10’s confession took this long.


Episode 9 — When There’s No Way Out

Perfect Crown has settled into a pattern. Odd-numbered episodes build tension without releasing it. Even-numbered episodes detonate. Episode 9 is exactly that — the contract marriage leak sends Ian and Hui-ju into crisis, and the episode ends without giving anyone a way out.

What episode 9 does deliver is Hui-ju’s epilogue. The moment where she chooses to protect Ian over herself. That quiet devastation is exactly why people watch fantasy romance. That’s the feeling.


Why the Prime Minister Doesn’t Work as a Villain

Prime Minister Min has turned villain. The reason given: his feelings for Hui-ju led him to betray Ian.

This is a character written by someone who doesn’t understand how constitutional monarchies work.

In a constitutional monarchy, the Prime Minister and the royal family exist in structural tension — but that tension is institutional, not personal. The idea that a sitting Prime Minister would intervene in royal succession because of romantic feelings for someone is not just dramatically weak. It fundamentally misreads how power operates in a monarchy. Korea has no living memory of having a king, and it shows. A British drama writer would never have constructed this.


Why the Joseon Palace Caught Fire Over a Thousand Times

The drama includes a palace fire. This is historically grounded in a way most international viewers won’t realize.

Joseon was a kingdom built on record-keeping. Every royal action and state matter was documented by royal historians. Those records show that palace fires were not rare events — over a thousand documented cases across the dynasty’s history.

The royal court was terrified of fire. And they responded in ways that are still visible in Seoul today.

The Haechi statues at Gwanghwamun — the stone creatures flanking the main gate of Gyeongbokgung are called Haechi. They’re mythological animals, believed to ward off fire. Tourists walk past them constantly without knowing what they’re looking at. They were placed there as protection against the palace’s greatest fear.

Haechi stone statue at Gyeongbokgung Palace entrance, Seoul — a mythological creature believed to ward off fire
Photo: Haechi statue, Gyeongbokgung Palace, Seoul / Source: PxHere (CC0)

Why Sungnyemun’s sign is written vertically — the great South Gate of Seoul, Sungnyemun, has its sign written top to bottom rather than horizontally like other gates. The reasoning: the characters flow downward like water pouring from above, symbolically extinguishing any fire that might approach. A detail that thousands of visitors walk past every day without knowing it carries the weight of four hundred years of fear.

Sungnyemun (Namdaemun) gate in Seoul — the vertical sign inscription is said to symbolize water flowing downward to ward off fire
Photo: Sungnyemun Gate, Seoul / Source: Sung Jin Cho (Unsplash)

What “Three Refusals” Actually Means

In the drama, people around Ian are visibly pleased about the possibility of succession — before anything has been formally decided. Korean viewers found this scene jarring. Here’s why.

Confucian tradition holds that even a wrong command from a superior must be refused three times before being accepted — with tears, with genuine reluctance, looking to heaven.

The case referenced in earlier posts: Prince Suyang, who became King Sejo by taking the throne from his nephew. He refused three times. He wept. He performed every gesture of reluctance that Confucian protocol required. Then he accepted. He had his nephew removed from the throne, exiled, and eventually killed.

The “three refusals” period is not a formality. It is the most dangerous moment in any power transition. The person giving up the throne and the person receiving it are both in mortal danger until the transfer is complete. Everyone’s position is unstable. Nothing is safe.

Showing people celebrate before succession is even confirmed isn’t just dramatically premature. It’s historically illiterate. Anyone who knows Korean history felt the wrongness of that scene immediately. The writers needed a history lesson.


Episode 10’s Confession — Why It Took This Long

Episode 10 finally delivered a confession. And a kiss. International viewers are confused about the timeline. Why did it take this long?

If this were Bridgerton, there would be a baby by episode 10.

Korean dramas move slowly for a reason. Broadcasting regulations. MBC, which produces Perfect Crown, is a public broadcaster — and public broadcasters operate under significantly more conservative content standards than cable or streaming platforms.

The deeper reason is cultural. Korea once had a television culture where the whole family gathered in the living room to watch the evening drama together. That era is largely gone — Korea moves fast now, and “Dynamic Korea” is not just a slogan. But the broadcast traditions built during that time have not fully disappeared. The slow romance in Korean dramas is partly regulatory, partly a living fossil of a different era of television.


Two Episodes Left — A Prediction

In the episode 7 and 8 post, the contract marriage leak was predicted to get quietly buried. It did.

Eleven and twelve are what’s left. Episode 11 will likely resolve the Prime Minister and Buwon-gun conspiracy. From the midpoint of episode 12 onward, the ending will probably settle into happiness.

If that’s how it ends — just two beautiful leads finding their way to each other, with the political intrigue neatly tied up — it will be a disappointment. This drama had the architecture for something more. Whether it uses it is the only question left.


Want to follow the Korean cultural context from the beginning:

Ep 1 & 2 — Perfect Crown Ep 1 & 2 — Korean Culture Explained
Ep 3 & 4 — Perfect Crown Ep 3 & 4 — Will Prince Ian Seize the Throne?
Ep 5 & 6 — Perfect Crown Episode 5–6 Explained — Why Ian Is Not the Real Lead
Ep 7 & 8 — Perfect Crown Ep 7 & 8 — The Conspiracy Unfolds, and Ian’s Endgame Begins

The history and cultural context you need to understand Perfect Crown:

Do Koreans Want a Monarchy? What ‘Perfect Crown’ Truly Hides [Insight] (Part 1)
Perfect Crown’s Hidden History: Why Koreans Can’t Fully Enjoy a Royal Fantasy (Part 2)

Irworobongdo painting from Perfect Crown: Symbol of Joseon Dynasty Royal Authority
Irworobongdo: A Joseon Dynasty court painting symbolizing the omnipresent authority of the King. / Public Domain, Wikimedia Commons

How do you think this ends? Drop your prediction in the comments.

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